In Everything Will Be Okay Sayraphim Lothian joins Robert Reid to perform a sixty minute show of tabletop puppetry. The performance is the surreal conception of Reid, artistic director of Melbourne’s Theatre in Decay.
As I entered the theatre for the performance, the usher advised that I should, “Listen with my eyes, and see with my ears.” I’m still not exactly sure what that means, however I can say that the visual experience of the show is very pleasing. An interesting combination of pre-recorded voiceovers, Thom Yorke style sounds, numerous kitsch props and meticulous timing, Everything Will Be Okay is a unique and engaging production.
While the visual aspects of the show are superb, the story itself is somewhat difficult. The plot follows an expatriate Australian named Doug who lands in Peru where he joins a political revolutionary group. While Doug struggles to understand the existential type dilemmas his life is full of, his girlfriend is humorously psychoanalyzed by a fat cat in sunglasses. Fractured narrative is tricky in film and literature, and even more so in theatre where the audience needs significant markers to follow the story. Reid acknowledges this fact and does attempt to give a sense to the disjunction; however I still found myself confused at times.
The show is however very funny, poking fun at Kevin Rudd and various pop culture phenomena. The size of the audience and proximity to the puppets makes for an intimate setting where you feel performed to rather than performed at. At the end of the hour I came away thinking that Everything Will Be Okay is unlike anything else you’re likely to catch at this year’s Fringe.
by Regan Brantley
The show is an exploration of the form, utalising different kinds of puppetry and creating beautiful vignettes. It’s like a flash animation on stage. If you’re thinking of coming, seats are limited, so book now!